(Okay, so I’ve seen some weird and awesome stuff in my time, but this is incredible. When you think of the religious aspect of Christmas, and the folklore of Saint Nicholas, it only makes sense that there would be a foe or nemesis not unlike the devil. This gives the whole ‘naughty or nice’ thing a whole new reality. Some of these images are horrifying (and awesome), and the fact that the concept of Krampus is still celebrated in Austria fills the hills with the sound of sweet, sweet metal music. Here’s some more info we found from the interweb. Fuck’n Right!)
In German-speaking Alpine folklore, Krampus is a horned, anthropomorphic figure. According to traditional narratives around the figure, Krampus punishes children during the Christmas season who had misbehaved, in contrast with Saint Nicholas, who rewards well-behaved ones with gifts. Regions in the Austrian diaspora feature similar figures and, more widely, Krampus is one of a number of Companions of Saint Nicholas in regions of Europe. The origin of the figure is unclear; some folklorists and anthropologists have postulated a pre-Christian origin for the figure (see Germanic paganism).
Traditional parades in which young men dress as Krampus, such as the Krampuslauf (German ‘Krampus run’), occur annually in some Alpine towns. Krampus is featured on holiday greeting cards called Krampuskarten.
The history of the Krampus figure has been theorized as stretching back to pre-Christian traditions. In a brief article discussing the figure, published in 1958, Maurice Bruce wrote:
“There seems to be little doubt as to his true identity for, in no other form is the full regalia of the Horned God of the Witches so well preserved. The birch—apart from its phallic significance—may have a connection with the initiation rites of certain witch-covens; rites which entailed binding and scourging as a form of mock-death. The chains could have been introduced in a Christian attempt to ‘bind the Devil’ but again they could be a remnant of pagan initiation rites.”
Discussing his observations while in Irdning, a small town in Styria in 1975, anthropologist John J. Honigmann wrote that:
“The Saint Nicholas festival we are describing incorporates cultural elements widely distributed in Europe, in some cases going back to pre-Christian times. Nicholas himself became popular in Germany around the eleventh century. The feast dedicated to this patron of children is only one winter occasion in which children are the objects of special attention, others being Martinmas, the feast of the Holy Innocents, and New Year’s Day. Masked devils acting boisterously and making nuisances of themselves are known in Germany since at least the sixteenth century while animal masked devils combining dreadful-comic (schauriglustig) antics appeared in Medieval church plays. A large literature, much of it by European folklorists, bears on these subjects. … Austrians in the community we studied are quite aware of “heathen” elements being blended with Christian elements in the Saint Nicholas customs and in other traditional winter ceremonies. They believe Krampus derives from a pagan supernatural who was assimilated to the Christian devil.”
The Krampus figures persisted, and by the 17th century Krampus had been incorporated into Christian winter celebrations by pairing Krampus with St Nicholas.
Countries of the former Habsburg Empire have largely borrowed the tradition of Krampus accompanying St Nicholas on 5 December from Austria.
In the 20th century, Austrian governments discouraged the practice. In the aftermath of the 1934 Austrian Civil War, the Krampus tradition was prohibited by the Dollfuss regime under the Fatherland’s Front (Vaterländische Front) and the Christian Social Party. In the 1950s, the government distributed pamphlets titled “Krampus is an Evil Man”. Towards the end of the century, a popular resurgence of Krampus celebrations occurred and continues today. There has been public debate in Austria in modern times about whether Krampus is appropriate for children.
Krampus in North American popular culture is part of a “growing movement of anti-Christmas celebrations” there.
Although Krampus appears in many variations, most share some common physical characteristics. He is hairy, usually brown or black, and has the cloven hooves and horns of a goat. His long pointed tongue lolls out.
Krampus carries chains, thought to symbolize the binding of the Devil by the Christian Church. He thrashes the chains for dramatic effect. The chains are sometimes accompanied with bells of various sizes. Of more pagan origins are the ruten, bundles of birch branches that Krampus carries and occasionally swats children with. The ruten have significance in pre-Christian pagan initiation rites. The birch branches are replaced with a whip in some representations. Sometimes Krampus appears with a sack or a washtub strapped to his back; this is to cart off evil children for drowning, eating, or transport to Hell. Some of the older versions make mention of naughty children being put in the bag and being taken. This part of the legend refers to the times that the Moors raided the European coasts, and as far as Iceland, to abduct the local people into slavery. This quality can be found in other Companions of Saint Nicholas such as Zwarte Piet.
Krampus appears in various forms, and as part of differing celebrations, throughout central Europe. In Styria, the ruten bundles are presented by Krampus to families. The twigs are painted gold and displayed year-round in the house—a reminder to any child who has temporarily forgotten Krampus. In smaller, more isolated villages, the character has other beastly companions, such as the antlered “wild man” figures, and St Nicholas is nowhere to be seen. These Styrian companions of Krampus are called Schabmänner or Rauhen.
A toned-down version is part of the popular Christmas markets in Austrian urban centres like Salzburg. In these, more tourist-friendly interpretations, Krampus is more humorous than fearsome.
North American Krampus celebrations, though rare, are a growing phenomenon. Outside of Krampus, which comes from the German word krampen, the being has many other names. Klaubauf is used throughout Austria, while Bartl or Bartel, Niglobartl, and Wubartl are used in the southern part of the country.